Crew

David Fury quits Terra Nova

September 13, 2010 · 1 comment

David Fury

Fox’s ambitious “Terra Nova” is losing one of its big-name writer-producers. Sources say “24″ veteran David Fury is off the series.

Fury was one of several heavy hitter producers on the prehistoric family drama, along with fellow Steven Spielberg, Peter Chernin, Brannon Braga, Jon Cassar, Aaron Kaplan and Katherine Pope.

Sources say Fury, who was collaborating on the pilot script with Braga, left due to “creative differences.” Braga will remain the showrunner.

The show recently added Allison Miller (“Kings”) to the cast along with previously tapped star Jason O’Mara.

The shakeup comes after “Terra Nova” was already pushed back from its original midseason launch plans. Fox plans to air the pilot in May, then launch the show in the fall of 2011.

Not such a good sign to have an extremely talented writer such as Fury quit over “creative differences” early on. In some more upbeat news, Joseph Hodges (production designer on 24 seasons 1-7) has apparently joined Terra Nova as well.

Source: David Fury off ‘Terra Nova’ – The Live Feed/THR

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Sean Callery 24 composer

Congratulations to Sean Callery who has won the 2010 Emmy for Best Musical Score in a Drama Series for the 24 series finale! This is Callery’s third Emmy win, the other two being Day 2: 10:00pm-11:00pm (George Mason’s farewell) and Day 5: 6:00am-7:00am (the Season 5 finale). Callery has been nominated for every season of the show and 24: Redemption. How about releasing another 24 soundtrack now, FOX?

24 nabbed another Emmy win for Outstanding Sound Editing For A Series for [click to continue…]

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24 has received five Emmy nominations for its final season, bringing it’s total nominations to 68 across the entire series run. Unfortunately no nominations were given to Kiefer Sutherland or Annie Wersching (both gave incredible performances), nor was 24 nominated for best drama.

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For the first time in years, Howard Gordon has some time on his hands. Last month, the 49-year-old writer sat down with his family in Los Angeles to watch the very last episode of 24, the television drama he helped mould into one of America’s most successful exports.

Gordon was the driving force behind 24, both as writer and executive producer, for eight years. With its cast of nihilist terrorist networks hell bent on destruction, the show became a global phenomenon.

Kiefer Sutherland’s rugged, all-American hero Jack Bauer helped the show surpass both Mission Impossible and The Avengers as the longest spy-themed TV show, picking up 18 Emmys along the way and beaming into the homes of millions of viewers around the world.

Now Gordon hopes to weave the same sort of magic with a subtler take on America’s so-called “war on terror” with a new TV series based on a popular Israeli drama about prisoners of war.

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Jon Cassar Emmy Award

Looks like another show to watch – Jon Cassar is one of the best directors out there, and David Fury is a very strong writer. Nice little 24 reunion on this show which sounds pretty interesting. Congrats Jon!

EXCLUSIVE: It will be an even larger 24 reunion on Fox’s upcoming prehistoric drama Terra Nova, which is executive produced by Steven Spielberg and Peter Chernin. Long-time 24 director-executive producer Jon Cassar has joined the 13-episode midseason series as an executive producer and regular series director. He joins fellow 24 executive producers Brandon Braga and David Fury who are executive producing Terra Nova. (Braga also serves as the series’ showrunner). Cassar, who won an Emmy for his directing work on Fox/20th TV/Imagine’s 24 and shared the show’s 2006 best drama series Emmy, will direct multiple episodes of Terra Nova following the pilot episode, which is being helmed by Alex Graves. “This is a huge coup for us,” said Dana Walden, chairman of 20th TV, which is co-producing Terra Nova with DreamWorks TV, Aaron Kaplan’s Kapital Entertainment and Chernin Entertainment. “Jon is one of the best directors we have ever worked with, and this project is a huge priority for our company.”

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THR: So Jack lives. I know you’ve got the movie planned, but how much did you seriously consider killing him in the finale?

Gordon: We certainly considered it. We considered killing him earlier (in the season) as an off-rhythm thing. But every time we went there and penciled it out, it didn’t feel satisfying. It felt frustrating or it felt affected or something.

Read the rest at LiveFeed/THR

Gordon also spoke with Entertainment Weekly. He is asked about many things including the fan reaction to Dana Walsh and the death of Renee Walker. Gordon was also asked about the lack of returning characters – where was Tony Almeida, Aaron Pierce, Mandy, and Alan Wilson?

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Here’s a lengthy audio interview (30 minutes, 26 seconds) from NPR with 24 showrunner and executive producer Howard Gordon. This is a really great listen if you have the time – he explains a lot of the writing decisions made this year.

Source: Counting Down The Final Minutes Of ’24′: NPR

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Jim Halterman: You’ve worked on ‘Lost,’ ‘Buffy The Vampire Slayer’ and ‘Angel’ before ’24.’ Since those were very different genres, how did you make that transition?

David Fury: It was definitely a big difference going to ’24′ from the others shows I had been on. ’24′ is a runaway train of action, conspiracies with interweaving in [and] it was a challenge. They brought me in to try to find the more human stories within all the action and to try to track and find emotional life in these characters even while they’re disparaging orders in CTU. By the time I came on in year 5 of ’24,’ Jack had been through so much. One of the reasons I was there – [Co-Creator/Executive Producer] Joel Surnow told me – was they had watched one of my ‘Lost’ episodes and I did so much with nothing. What he was referring to was there was no real plot in the elements of ‘Lost.’ It might just be a scene between two characters and he found that compelling.

JH: How’s the process been with ‘Terra Nova’ after spending so much time on ’24?’

DF: It’s pretty amazing after five years to go back to writing a script of a different kind. I’ve been stuck writing in the real time of ’24′ and to be able to use flashbacks, time cuts, being able to add different perspectives… it’s almost like relearning the craft of writing because ’24′ beat it out of me.

Full interview and source: Futon Critic

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Cochran, who left the series during Season 6, and executive producer Howard Gordon, who ran it since early in the first season, sat down with The Wrap to choose the 24 greatest moments in the “24” pantheon, presented here in chronological order.

1. Voice-over
SEASON 1 | Episode 1 | Date: Nov. 6, 2001

The first episode begins with words on a screen and the low-key voice of Special Agent Jack Bauer (Kiefer Sutherland): “The following takes place between midnight and 1 a.m. on the day of the California presidential primary. Events occur in real time.”

Those last four simple words signified a historic experiment in TV storytelling. Never before or since has a series taken place without cutting ahead or flashing back in time.

Check out the other 23 moments at the link below.

Source: The Wrap

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Interesting interview with Howard Gordon where he is asked about some of the worst decisions on the show.

Zap2it: What was your worst decision?
Howard Gordon:
“I feel as though the story made a very wrong turn in season 6. I don’t think the idea of Jack’s family was a wrong turn, but I think the way we accelerated the story was wrong, and we paid for it the balance of the year. That, to me, is one of the narrative gaps I don’t think we ever quite recovered from. We did, on an episode-by-episode basis,or on a certain arc-by-arc basis, but the DNA of the season never really recovered from it.

“Honestly, other than that, I’m remarkably free of regrets, because even the moments that one would imagine we’d regret — like the cougar or amnesia or shooting JoBeth Williams in the leg, the moments people would point to as being gaffes — I have to say, they occurred in moments when the story needed them to happen. They were really just collateral damage of the real-time conceit.”

Zap2it: Since each season takes place over one day, people are often in the same clothes for many episodes, if not the whole season. What was the worst wardrobe choice?
Howard Gordon:
“One of the worst wardrobe decisions would probably be Dana Walsh [played by Katee Sackhoff] this year, wearing what looked like a sleeveless cocktail dress. That’s probably up there. CTU agents aren’t supposed to be like that.”

Read the full interview over at Zap2It

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Evan Katz and Cherry Jones at TCA 2010

EXCLUSIVE: NBC’s newly picked up drama series The Event is looking to become the new 24 and now it is close to tapping one of the key writer-producers behind the departing real-time Fox drama, Evan Katz, as showrunner. Katz is finalizing a two-year overall deal with Universal Media Studios, which produces The Event. Under the seven-figure pact, he will executive produce and run the series created by Nick Wauters.

The Event is a conspiracy thriller that follows Sean Walker (Jason Ritter), an everyman who investigates the mysterious disappearance of his fiancée (Sarah Roemer), and unwittingly begins to expose the biggest cover-up in U.S. history. Co-starring in the pilot are Blair Underwood as the newly elected U.S. President Martinez, Laura Innes, Scott Patterson, Ian Anthony Dale and 24 alum Željko Ivanek. On the series, Katz will serve as an executive producer alongside Steve Stark and Jeffrey Reiner, who directed the pilot. Wauters will serve as co-executive producer.

WME-repped Katz, who had been wooed by a couple of different pilots at NBC, joined 24 at the beginning of the second season as a consulting producer and has been an executive producer since Season 4. He won a WGA Award for the ground-breaking drama in 2004 and shared a best series Emmy with the rest of the series’ producing team in 2006.

Source: Deadline.com

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Today was the final day of production on 24 after nine years – the end of an era. Very sad to watch this unfold *ahem* in real-time on Twitter with all of the cast and crew saying their emotional goodbyes. It really started to sink in that this was the end. To the cast and crew of 24, thanks for all the memories.

Annie Wersching (Renee Walker):

9 years ago, in 2001 I had just moved to LA and started watching 24 in my beatup studio apt in Hollywood and became a forever Fan. 9 yrs later, after 3 years/2 seasons 24 has again truly changed my life forever…here’s to the end of an era and to truly one of the most groundbreaking, original and kick ass shows of all time!!!!!!!!!!!! (Facebook)

Mary Lynn Rajskub (Chloe O’Brian):

Wow . These last few days of 24 are intense. I’ve never done anything like this before (tweet)

I’m going to miss all these damn people- 24 family… (tweet)

Jon Cassar (Former 24 Director):

After many years of shooting 24, all over L.A. and Washington DC, at the end of today the cameras will stop rolling, the cast and crew will leave the set never to return and 24 will be take its place on the shelf of television history. Thx to all the fans. U kept us in the game. And 2 the cast & crew of 24, you were the best group of people, period. Enjoy the last few hrs. (tweets: 1, 2, 3)

I’m sadder today about #24 coming to an end then when I left over a year ago. I guess there was comfort in knowing it was still being made (tweet)

Rodney Charters (Director of Photography):

Last shooting day and our last scene is 2424!!! (tweet)

Last scene with ML wow strange disjointed atmosphere on set (tweet)

list of visitors Gary Newman 2oth Chairman Joel Surnow Anil Kapoor Glen Morshower speeches choked back emotion lotta lovin Bye Kiefer (tweet)

Marci Michelle:

Sushi for lunch!Not a bad send off!by the way,the season finale is some of the best acted television I’ve seen!U will not be disappointed! (tweet)

Series wrap on Mary lynn…..ok that hurt…love u ML! (tweet)

It’s a bit weepy here and my sunglasses can only mask so much!
Hurry, someone tell me a joke!;) (tweet)

6:56pm and that’s a wrap folks~ (tweet)

the cool thing was, we film out of sequence, and the very last scene we shot was…2424……. (tweet)

Robin Charters (Rodney Charter’s son)

Kiefer seconds away from finishing his last scene on 24 ever… (tweet)

That’s it, it’s over, there is no more #24 (tweet)

Necar Zadegan (Dalia Hassan):

said goodbye to my beloved 24 set today. It’s a wrap… (tweet)

Photos

Rodney Charters also tweeted out a few photos:

- The Last Call Sheet of 24 the Series
- Guy waves good bye as we lv the stage soon to be returned to industrial space
- The lights go out on New York
- The cake

Also check out the “That’s a wrap on CTU” photo/post (thanks to Beau Bowden for sending that in).

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Pretty interesting behind the scenes story here. Alex Berenson, reporter for New York Times and author of several novels was invited to consult on 24 Season 8 for a month after Howard Gordon liked his novel The Faithful Spy. He gives a look at what goes on in the writers room and just how hard it is.

We sit on couches and comfortable chairs, looking for answers. Season 8 will be set in New York. But why is Jack in New York? He’s a diplomat. No, he’s in a hospital, rehabilitating from his near-death experience in Season 7. No, he’s handling security for a rich guy.

We spitball possible plots. When the process is going well, it is like playing soccer with an invisible ball. One writer pushes an idea forward until another steps in. Someone says, “So the terrorists seize a school bus filled with rich kids. …” “except one kid hides a cellphone. …”

But all too soon someone finds a hole in the plot, or argues that it doesn’t give Jack enough to do, or that it’s too maudlin. We backtrack. Sometimes we succeed in addressing the complaint. Sometimes, after a few minutes of arguing, we fail. Howard steers us in a new direction. But the original argument will flare up a few minutes later, like a fire in a garbage dump.

Howard has a reputation as a very democratic lead writer. He likes to build consensus. The good news is that everyone gets a say. The bad news is … that everyone gets a say. The debate can seem exhausting and circular.

I wish I could say I contributed mightily to Season 8, but when I left a month later Howard and the guys were still plotting the first episode. Not one line had been written. In the end, they did find an arc for the season, and the reviews have been reasonably good. But when Howard told me a few months ago that he couldn’t imagine coming back for Season 9, I understood.

Check out the full article at NY Times.

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20th Century Fox TV, where Gordon is under an overall deal, has acquired rights to the Israeli format “Prisoners of War,” which Gordon will co-write with “24″ executive producer Alex Gansa and Gideon Raff; the latter created the original series for Keshet Broadcasting, whose recent launch in Israel has drawn a lot of attention.

The acquisition and Gordon’s involvement underscore the growing popularity of Israeli formats, which have become a hot TV commodity in Hollywood and spawned two pilots this development season: Fox’s “Traffic Light,” also from 20th TV, and CBS’ “The Quinn-Tuplets.”

20th TV chairman Dana Walden said that after hearing Keshet’s pitch for “POWs,” it was an instant decision to take the format to “24′s” Gordon and Gansa.

“The format is very smart and has all of the exciting elements that go into ’24′: an ongoing story, an incredible story engine and a very emotional situation,” Walden said.

Featuring an all-star cast, the Israeli “POWs” tells the story of three soldiers who return home from 17 years in Syrian captivity and must readjust to life in Israel and reunite with their families.

Tentatively titled “Patriots,” the American version will revolve around three U.S. soldiers presumed killed during the invasion of Iraq in 2003 who are found in a cave 10 years later.

“They come home greeted as heroes, but they are traumatized by the treatment there, and their families have become collateral damage to their captivity,” said Gordon, who exec produces the project with Gansa, Gideon and Keshet’s Avi Nir.

There will be some mystery about what happened during their years in captivity and the possible threat one of the soldiers might present, Gordon said of the project, whose genre he describes as “suspense, psychological drama.”

The U.S. version also will introduce a new character, a counterterrorism agent — and no, his name won’t be Jack Bauer.

Speaking of “24,” despite the continuous drumbeat about the veteran real-time terrorist drama coming to an end, Gordon was surprisingly optimistic about the show’s chances to return for a ninth season.

“Discussions are still being held; the book hasn’t been closed,” he said. “If there is ’24′ past Season 8,” he added, “I will be part of that,” though probably not as showrunner. He also said that star Kiefer Sutherland, who has no deal for the show beyond the current season, “is inclined to do another season if there is a good story.”

The show is now in production of the final two episodes of Season 8 and Gordon is bearing down. “Every year of ’24′ has a strong thematic closure,” he said.

Source: Hollywood Reporter

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Chip Johannessen

24 writer and co-executive producer Chip Johannessen is leaving 24 to pursue a new job as showrunner on Showtime’s popular Dexter series.

This is the second 24 writer departure this year, with Juan Carlos Coto leaving before the start of the eighth season to join Heroes.

Source: The Hollywood Reporter

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