Dana Walsh

Katee Sackhoff

The debut episode of the Schmoes Knows podcast scored an interview with Katee Sackhoff (24‘s Dana Walsh) and she is refreshingly candid as usual. Katee described the Dana mole twist as “kinda predictable” and said “I think the writers wrote themselves into a wall because they promised me that I was going to have guns.”

Sackhoff had the option to do her own show for USA Network but turned it down to work on 24 instead because the producers promised her she’d get to play with guns. “For the first five episodes I’m behind a desk, and I’m like really guys? Where are my guns?!” [click to continue…]

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Dana Walsh's dead body

24 Season 8 episode 20 (Dana Walsh’s execution) placed #17 on The Futon Critic’s “50 Best Episodes of 2010″.

17. “24: 11:00 a.m. – 12:00 p.m.” (fox)

(originally aired: may 3, 2010)

Dark isn’t exactly a new territory for “24″ – just Google Jack Bauer and hacksaw – but the show’s waters reached some new depths in this episode, which saw Jack anoint himself judge, jury and executioner of Dana Walsh over Renee’s death. Her usefulness in finding her co-conspirators exhausted, Jack – rather than turn her over to CTU – simply opts to murder her in cold blood. Wow.

Source: The Futon Critic

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BuzzFocus has awarded Jack Bauer with “Best Action Hero” in their “Best of TV 2010″ awards. Here’s what they had to say about our favorite action hero:

Jack Bauer Kidnaps Charles Logan

Best Action Hero

Jack Bauer (Kiefer Sutherland), 24
Fact: Chuck Norris wears Jack Bauer pajamas. After personally saving America’s butt seven times, Jack Bauer wasted no time springing into action in Day 8, this time saving New York from a major terrorist attack. And just when he was ready to retire for good, he lost yet another love, Renee Walker (Annie Wersching). The result? Bauer went absolutely berserk and singlehandedly saved the day…again. And he gets a special helping of props for putting Dana Walsh out of her misery. When it was all said and done, he was able to escape and disappear into the shadows, presumably until Fox approves on a viable movie script.

Reader’s Choice Winner: Michael Western (Jeffrey Donovan), Burn Notice

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Jack Bauer kills Dana Walsh

TV Guide sure likes their 24 – the series finale placed on their “best episodes of 2010” list, the final scene was one of their “unforgettable moments“, and now this Dana Walsh scene is one of their “top moments” of the year:

24‘s Jack Bauer Silences Dana Walsh (Finally)
It’s always good to see Jack Bauer take down the bad guy, but it was especially rewarding for fans when he finally put double agent Dana Walsh out of her misery. After trying to sabotage the CTU the entire season (and becoming one of the series’ most despised characters), Jack finally corners Dana and shoots her dead despite her plea for mercy.

Source: TV Guide

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Since several people have asked me, here are all six of the deleted scenes found on the 24 Season 8 DVD.

There aren’t any audio commentaries for the deleted scenes this time around, so there’s no way to know why these scenes were cut. Most of them were probably removed for time reasons. [click to continue…]

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Here’s a new “Ask Katee” where Katee Sackhoff reveals that she didn’t know Dana Walsh was a mole when taking the role (although she knew Dana was bad). The 24 question is the first one.

[click to continue…]

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Kiefer Sutherland as Jack Bauer in 24 Season 8 finale

The 2010 Teen Choice Award nominees were announced and 24 is up for 4 awards.

24 was nominated for “Choice TV Show: Action” (with Burn Notice, Chuck, Human Target, and NCIS: Los Angeles). Kiefer Sutherland was nominated for “Choice TV Actor: Action” (alongside Jeffrey Donovan of Burn Notice, Zachary Levi of Chuck, LL Cool J of NCIS: Los Angeles, and Mark Valley of Human Target).

[click to continue…]

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Interesting interview with Howard Gordon where he is asked about some of the worst decisions on the show.

Zap2it: What was your worst decision?
Howard Gordon:
“I feel as though the story made a very wrong turn in season 6. I don’t think the idea of Jack’s family was a wrong turn, but I think the way we accelerated the story was wrong, and we paid for it the balance of the year. That, to me, is one of the narrative gaps I don’t think we ever quite recovered from. We did, on an episode-by-episode basis,or on a certain arc-by-arc basis, but the DNA of the season never really recovered from it.

“Honestly, other than that, I’m remarkably free of regrets, because even the moments that one would imagine we’d regret — like the cougar or amnesia or shooting JoBeth Williams in the leg, the moments people would point to as being gaffes — I have to say, they occurred in moments when the story needed them to happen. They were really just collateral damage of the real-time conceit.”

Zap2it: Since each season takes place over one day, people are often in the same clothes for many episodes, if not the whole season. What was the worst wardrobe choice?
Howard Gordon:
“One of the worst wardrobe decisions would probably be Dana Walsh [played by Katee Sackhoff] this year, wearing what looked like a sleeveless cocktail dress. That’s probably up there. CTU agents aren’t supposed to be like that.”

Read the full interview over at Zap2It

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Photos of last nights episode courtesy of FOX. Tons of Dana Walsh ones.

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Showrunner Howard Gordon was interviewed on Dana Walsh’s death, her character, and what this means for Jack for the remaining episodes. There’s some interesting info in here on how they decided to make her a mole.

TVGuide.com: Jack didn’t have to kill Dana. Why did he?
Howard Gordon:
That’s exactly the point. In this episode, everybody is taken to a place that they’ve never been. We struggled with writing it; the actors struggled with acting it. It goes to the core of what Jack is experiencing right now: He’s the judge and jury and executioner. He’s taking what he perceives to be justice in his own hands. Dana has culpability in what’s happened on this day. It defines the level of darkness he’s descended to.

TVGuide.com: Why would you say this episode is important?
Gordon:
To me, this is the episode where Jack’s trajectory really gets defined and comes into focus, what we’re going to see for the balance of the season. This is a very crystallizing moment. When Jack kills Dana unarmed, that’s the first execution in his train of justice — or vengeance, depending on how you look at it.

TVGuide.com: Do you think Dana’s death carries any sort of redemption for the character?
Gordon:
Whatever redemption there is for the character is in that very sad moment where you realize that she actually did love Cole. For the first time, the onion is peeled down to the nub and you see her vulnerable for the first moment. It’s pathetic because she’s obviously a sociopath, but she meant to reverse the position she put herself in.

TVGuide.com: You’ve had to do your share of defending Dana to the fans.
Gordon:
She became an early target for certain people. People love to hate her, and they didn’t quite know why. Very early on, this story became this crazy improvisation. We always knew she was someone with a past; we didn’t quite know how deep that past went. [Executive producer Alex Gansa] had an idea: What if she’s a mole?

TVGuide.com: Because that never happens on 24!
Gordon:
That’s one of the hazards of the show. We were all so scared to say it. We don’t even allow ourselves to use some of the more obvious tools in the arsenal, but once Alex said it, it clarified the character for us. So we were able to back-trace it so she’d have a double-secret identity. It all came to the fore in Monday’s episode. You realize that this woman fell in love with Cole. That was real. She tried to get herself out of the situation she got herself in. It really explains the improbable nature of how a juvenile delinquent from Rock Springs was able to manufacture an identity and insert herself into this top-secret organization. As improbable as it is, in true 24 fashion, it made its own kind of crazy sense.

TVGuide.com: Do you think the fans were too hard on her?
Gordon:
I think the fans were a little too hard on her. We all have Starbuck [Sackhoff's character on Battlestar Galactica] in our mind. She’s played these strong roles, and here she was playing this demure, almost prim, goody-goody analyst in direct counterpoint to Chloe. There was something that was too good to be true about her. We had this hidden card that nobody knew we were playing. People were judging her prematurely.

TVGuide.com: What about the parole officer stuck in the wall? Is he just going to rot there?
Gordon:
We made various attempts to reintegrate the fact that there’s the body in the wall, but we justified it by saying the body wouldn’t start to smell for another couple of hours. Right around, say, hour 25.

So is this Jack’s lowest point? Or does it get worse?
Gordon:
Jack is as about as emotionally damaged as he’s been now. He’s descending right now. The finale is a complex ending. It’s not as tragic as it could have been. It’s not entirely unhappy. But he doesn’t walk off into the sunset.

Source: TVGuide.com

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Dana just got killed. Reaction?
KATEE SACKHOFF:
That’s so sad. Poor Dana.

Do you genuinely feel sympathy for her?
SACKHOFF:
None whatsoever. [Laughs]. She doesn’t have one redeeming quality. I tried desperately to give her a redeeming quality. I really tried. The only thing I could come up with was that she didn’t crack when she was tortured.

What was it like playing someone like that?
SACKHOFF:
It was weird. I kind of figured if I couldn’t give her a redeeming quality, I was just going to be the most ridiculously unsympathetic villain ever. I was going to try and make everyone hate her. That was my goal, and I think I succeeded.

Were you looking to play a one-note baddie when you signed on?
SACKHOFF
: [Before 24] I always had to give tons of thought to my characters. They had so many layers and they were exhausting to play. By the time [Battlestar] was over I was so tired. I was like, “Can I please play a character that’s just cut and dry?” [Laughs] With Dana, I just kind of went to work and played what was on the page. It was a much easier process.

The Dana plot was not well-received. Were you aware that it wasn’t going over well?
SACKHOFF:
I didn’t realize that. [Pause] I don’t care. I played a character [Starbuck] who was hated from the very beginning just because she was a woman, so I learned a long time ago not to read [the feedback]. It’s counterproductive to doing your job… I respect the fans and I respect their opinions but it’s sad that they’re not happy when it’s the last season.

Was there anything Dana did that made you go, “WTF?”?
SACKHOFF:
I think when I had a gun and [onscreen hubby] Freddie [Prince Jr.] shot it for me. I was like, “Wow, I’m completely playing a new character here.” For the first five or six episodes I was like, “Guys, you’ve got to give me a gun. I don’t do the whole stand here and look pretty thing very well.” And then they finally give me a gun and the man standing next to me shot it for me.

Did you object?
SACKHOFF:
Of course I did. But then I was told I was a Russian spy and I was like, “Okay, I get it.”

I thought you were going to say hiding Bill Prady’s dead body in the wall at CTU was the craziest thing Dana did.
SACKHOFF:
[Mock contempt] Where else was she going to put it?! Was she going to drag it down the hallway? She had to figure out something really quick, and the grate in the wall seemed like a perfect place. The only thing we were joking about was can you imagine when they start turning the heat on in the winter? Six months later everyone’s like, “What is that smell?!” And they’re like, “Damn that Dana!” [Laughs]

How was the whole 24 experience?
SACKHOFF:
It was fantastic. Because of the way they shoot 24 you feel like you’re never there. I kind of felt like I could go hang out at Coffee Bean with all the unemployed actors. Every time I’d get a paycheck I was like, “Oh, that’s right. I have a job!” It was pretty easy compared to what I was used to. I’ve been so spoiled. I moved to L.A. when I was 17 and I constantly worked on television, so I’ve always been able to have, in a sense, a normal job where you go to work every day. And after Battlestar ended and [my NBC] pilot [Lost & Found] wasn’t picked up I got completely disillusioned by the business. I had never done a pilot that hadn’t been picked up, so I was like, “What?!” So I wanted to go back to something that felt safe and exciting and well-received, and 24 was a perfect fit. It’s what I needed to get my footing and go tackle another pilot season.

Why did you have so much time off? It’s not like Dana disappeared for long stretches. Did you shoot all your scenes in one day?
SACKHOFF:
Yeah, that’s what they do. And it’s not just one episode, it’s two episodes. I would shoot all my stuff for episodes 5 and 6, which would normally take 18 days, in one day. So I’d have off for three weeks. I think I had the whole month of November off.

Was that frustrating at all? Because it’s not like you can go off and commit to another gig.
SACKHOFF:
It was frustrating. I felt unemployed. I had all my chores done by 9 a.m. and I’m like, “What do I do now?” I’d call up my ex-boyfriend at work and go, “It’s 9 a.m. and I’m done. Is it too early to start drinking at noon?”

For more from Sackhoff, including scoop on one of Dana’s most buzzed about quirks, pick up the new issue of Entertainment Weekly (on sale Thursday).

Source: EW.com

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The 18th Scenemakers of 24 Season 8 with director Michael Klick and actress Katee Sackhoff. “Director Michael Klick takes us behind the scenes of Dana’s death.”

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Your character got waterboarded in last week’s episode. What was your reaction when you got that script?
Well, when I first read it, I thought, “It’s about time they do something to this poor girl.” [Laughs] I was excited to do it because I’ve never been waterboarded, and I thought it would really be kind of fun. We tried to do it with a tube in my mouth, which just made it completely difficult, so I was like, “You guys are just gonna have to waterboard me.” They were like, “Are you sure you’re OK?” and I was like, “Oh yeah. Just waterboard me.”

Katee! Who wants to be waterboarded?
It’s pretty crazy. Like, [the scene] was just basically me holding my breath. It was pretty intense. There was one time where I actually breathed in and I thought I was gonna die. I mean, it hurt so much, because your lungs just take in tons of water immediately. For some reason with that towel [over the face] being soaking wet, your lungs suck in water. It’s crazy.

I’ve heard that even if you think you can handle the physical torture of waterboarding, the level of panic it induces in your brain is the thing that really gets you.
That’s the main thing, and not to mention that since the towel is full of water immediately, you can’t breathe through it. As soon as you breathe in, you take in water like you’re underwater.

And they did multiple takes of that?
Oh, multiple. Yes. All day. [Laughs]

You sound kind of giddy about it!
I really like that stuff! I’m a bit insane when it comes to doing my own stunts and getting down and dirty. It’s fun, you know? It’s things I wouldn’t normally do in my real life, so when I go to work and get to beat people up and shoot guns and get waterboarded, those are things I find completely interesting.

Were you happy with what the producers were giving you to do earlier in the season
I took the job based on what I’m doing now.

So you knew that eventually you’d be revealed as a mole?
Basically. I mean, [the producers] didn’t know for sure, but I was blessed and cursed with being told more than other actors usually are, from what I understand. With me, it was a situation where I was coming off of Battlestar and a pilot I’d just done, and I had some options in front of me. I sat down with the writers and the producers [of 24], and they basically said everything that was music to my ears. I was like, “I’ll do it!” Basically, as soon as I saw that there was a role available on 24, I jumped at it, and then when I sat down and talked to them, it seemed to get more interesting and more fun.

So when you were doing scenes with Freddie Prinze Jr. earlier in the season, did you know then that you were the mole?
I think I did. I’m trying to remember. Yeah, I think I did. I knew from the beginning of the season that Dana was Jenny, and then when I killed the ex-boyfriend and pushed him into the water, at that point I was told that I was probably going to be the mole.

Even before the mole reveal, 24 producer Howard Gordon had to assure anxious fans that Dana would eventually pay off. Does that bother you at all, especially after you came off of playing such a beloved character on Battlestar?
Right. I don’t know…I guess I can say that I did my job well, you know? If a character is supposed to be hated, my goal is to make her the most hated person on the show. When I did Bionic Woman and I was playing the villain, because it’s so hyper-fictional, I think you had to make the villain identifiable and interesting. There, you want the villain to win. In a situation like 24, with Dana, she was so bad that I just kept saying to poor Howard and Brannon [Braga], “You guys, seriously, she has no redeemable qualities. There is not one.” I kept trying to find one, because I’ve been told you always have to try to find one [laughs], but I just couldn’t. At that point, I just decided to make her the best bad person possible.

You knew the end was coming for a while on Battlestar, but on 24, they didn’t know the show was canceled until partway through the season. Was the vibe on-set at all similar?
I don’t know, actually. I didn’t really work a lot on 24 — it seems like I was around a lot, but I really wasn’t. When all was said and done, I wasn’t there, so I don’t know how everyone took it. This is a difficult town, a difficult business, and a difficult economy right now, so I don’t think anyone wants to find out that they don’t have a job anymore. It’s not a good thing to have to deal with.

Source: Movieline

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Dana is held hostage and tortured for information.

Source: Fox.com/24/Sprint

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24 Season 8 Episode 18 promo pics from FOX. Jack Bauer prepares to interrogate (read: beat the shit out of) Dana Walsh, President Allison Taylor visits CTU, and Charles Logan meets Mikhail Novakovich.

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