reviews

David Hinckley of NY Daily Mag has reviewed the 24 series finale (“Kiefer Sutherland and co. clock out with a winner”) and also provides a spoiler near the end of the article.

Monday night’s two-hour finale of Fox’s “24″ is a bloody mess.

It’s that good, and yes, we expected no less.

Like “The Sopranos,” “The Shield” and other A-list crime-and-morality dramas, “24″ doesn’t pretend that the end of the show means injustice, corruption and evil can magically be made to disappear.

So the show provides some resolution to this season’s story line, which revolved around the human and moral cost of trying to craft a Middle East peace treaty.

At the same time, Monday’s finale makes it clear that counterterrorism agent Jack Bauer (Kiefer Sutherland) will always be outnumbered and outgunned in his battle to stop the bad guys.

The best Jack can do is stick his finger in the dam from time to time while he searches for the occasional ray of light.

The last time he found one of those, however, in fellow agent Renee Walker (Annie Wersching), she was promptly killed.

Renee’s death continues to set up this season’s climactic action, as a near-psychotic Jack seeks to kill everyone involved. Even if that person is a head of state.

It’s vintage Jack, an equalizer whose raw fury we understand.

“I would have accepted justice by law,” Jack says, in what could serve as a mission statement for the whole eight-season run of “24.” “But that was taken from me. [So] I am judge and jury.”

That sort of remark explains why Jack has been compared to Clint Eastwood’s justice-dealing cop Dirty Harry. Jack’s world, however, has never been as black-and-white as Harry’s, and things don’t change Monday just because the series is ending.

His adversaries include true creeps like robotic Russians and former President Charles Logan (Gregory Itzin), whose every utterance makes your skin crawl. It includes good people who have lost their way, like President Allison Taylor (Cherry Jones).

He also runs with some good people who stay good, like young agent Cole Ortiz (Freddie Prinze Jr.) and loyal associate Chloe O’Brian (Mary Ann Rajskub).

The fact he and Chloe at one point are yelling threats at each other underscores how a few bad decisions at the top can poison the whole world.

So yes, the world is a mess. It’s also bloody, and while Monday’s finale may have fewer outright deaths than usual, it compensates for any shortfall in body count with nice touches like having body parts bitten off.

All props to Mike Tyson.

It shouldn’t be any major spoiler to say that in the end, neither Jack Bauer nor “24″ leaves us with any rosy illusions about saving or cleaning up the world.

Jack never stops trying to make his corner a little better, however, and in the process, he closes out “24″ the same way he ushered it in: as a fast-paced, first-rate action-adventure that pauses just long enough to show us a heart.

Source: NY Daily News

{ 1 comment }

IGN TV – 24: “Day 8: 8:00 AM-9:00 AM” Review:

My big issue is that I don’t get what the point is, storywise, in killing Renee. It didn’t feel earned. Was it to make it personal for Jack? To give him a truly intense motivation going forward? That easily could have been accomplished with Hassan’s death, which Jack obviously felt extreme grief and guilt over. Learning there were other elements behind that death still out there would have been enough – or hell, have Renee wounded too, so Jack is extra pissed. But why kill Renee at this point? Just so we can be reminded, again, that Jack Bauer’s life sucks? We’ve already been through Jack losing someone he loves, and there wasn’t enough unique about this scenario to make it feel worth it to go this route again.

CNN.com TV Recap: Five reasons we loved this week’s episode of ’24′:

There are many moments in television that are simply unforgettable, and the moment Jack was told that Renee has been killed ranks among the most gripping I’ve ever seen. There seemed to be so many emotions bottled up in his eyes. For all the things he’s seen, all the predicaments he’s lived through, and all the bullets that have whizzed past him, THIS moment seems beyond his comprehension. It was a finely tuned, well-oiled moment of epic drama.

TV Review: 24 – SEASON EIGHT – ’8 am to 9 am’ – iFMagazine.com:

That means, CTU Chief Brian Hastings (Mykelti Williamson) is out as the head of CTU for all the screw-ups in the last 17 or so hours. In his place, temporarily, is Chloe, who takes charge like no one’s business. No more of this “you’re wrong Chloe, if we do this, it will do this, this and this.” Now it’s Chloe saying “do this, because I know that I’m right” and of course, she is.

I’m lovin’ it. After six seasons of being told she doesn’t know what she’s doing, she’s finally given the confidence that she does know what she’s doing, and she’s going to be one of those kick ass and take names later kind of chiefs.

Finally a competent head of CTU!

{ 0 comments }

TV Guide Magazine Daily Review – Chuck, 24: Happy and Unhappy Endings

Anil Kapoor’s final hours as President Hassan were his finest, clocking his protector Jack and giving himself over to the terrorists in hopes of averting the bomb blast. (He cut it close. There were only seven seconds left when the doomed Tarin stopped the timer.) In scenes of unusual reflection, Kapoor convincingly portrayed both Hassan’s defiant idealism in his push for peace and deep sorrow that he couldn’t win over the militant insurgents now deciding his bloody fate. He died a true hero’s death.

iFMagazine TV Review: 24 – SEASON EIGHT – ’6 a.m to 8 a.m.’

Again, great stuff, and wonderful performances by all. Wersching has really had an amazing range to play this year, and her subtle wounded looks have said it all in many moments that would have been too broad by lesser actors. She’s incredible and if Jack deserves to be with anyone, it’s Wersching’s Renee who is a perfect fit.

This two-hour episode will be hard to beat, but with the clock ticking toward the end of 24 as we know it, it’s nice to have it back on its feet and heading toward the finish line with clarity, purpose and, well, Jack Bauer kicking ass and not taking names.

CNN TV Recap: The one Jack didn’t save on ’24′

Now, raise your hand if you actually believed Jack would save him, because I did too. As Jack and Renee made their way into the apartment building, you could feel the tension building to unprecedented levels. I thought the entire situation played out as one of the season’s finest, and the writers gave us more than we could absorb. Renee noticing the blonde wig on the floor and being first to pull the trigger as her life depended on it was riveting and well done.

“24″ was dead on last night. These two hours were arguably the finest of the season, and that momentum has been building for more than a month with great show after great show. For all the grumbling along the way, “24″ has delivered repeatedly in recent weeks, and as I changed the channel to see the ending of “David versus Goliath”, I was satisfied and spent.

EW ’24′ recap: Heady times for poor Hassan

I love these special two-hour installments of 24; feels like Christmas in April. And there was lots to accomplish tonight, especially given how obvious it appeared last week that Fantastic Sam would surrender to the IRK in exchange for saving 58,000 New Yorkers from three agonizing, radiation-filled days.

Some posters took issue with how I failed to celebrate Anil Kapoor’s mad skillz in the gunfight last week, but that didn’t mean I’ve lost appreciation for his work. Kapoor was in fine form again tonight, starting with the heated argument he had with Dalia over her wanting to join him on his fateful mission. Crazy good stuff, even if I started to suspect that that it wouldn’t end well for her and Kayla.

{ 0 comments }

Den of Geek – 24 Season 8 episode 14 review:

All in all, this was a great episode that did one very important thing: it moved the story forward constantly, and didn’t get too bogged down in details and stalling tactics.

In one episode we’ve seen the rods arrive in Manhattan, get assembled and moved into place and be armed; we’ve seen President Taylor’s staff turn on her and we’ve seen Jack kick some much overdue ass.

EW ’24′ recap: Ethan’s heart just wasn’t in it!:

Before I address tonight’s exhilarating episode, attention must be paid to Friday’s news about the show’s series finale on May 24. The announcement wasn’t necessarily a surprise, but it was bittersweet nonetheless; it’s always sad when an old friend leaves our living room for good, and it could be a long time before we see another terrific anti-hero like Jack (or The Shield’s Vic Mackey!) on our small screen.

CNN.com TV Recap: First day of the last day on ’24′:

Meanwhile, I thought the pace of the episode’s action was remarkable and never let go with a few unforgettable moments of heart-pounding, tense drama.

As Jack and Renee attempted to move President Hassan and his family out of the U.N., that tunnel scene was well-orchestrated and fantastic to watch. Amidst the clips being reloaded and smoke grenades being tossed, the situation seemed to escalate with every passing moment. Also, the stern words delivered by President Taylor and Brian Hastings were fitting sermons that made all of this FEEL like an authentic crisis. Hastings has flat-out been on a “blog-love” streak for about a month now, and I hope he keeps it up.

Summing it up, this was a stellar episode that hit us from all angles. Its always a good sign when the clock beeps for the last time, and we all take the patented gasp knowing we have reached the end.

IGN TV: 24: “Day 8: 5:00 AM-6:00 AM” Review:

Kudos to Cherry Jones, for giving lending such gravitas and commitment to Taylor’s speech about why she would not consider handing Hassan over to Samir. It takes an actress of Jones’ caliber to invest a speech like that with total commitment and damn if she didn’t seem as much like a President as one could hope for in that moment.

{ 1 comment }

CNN.com: ’24′ Recap: Hell yeah, Chloe!

As great as I believed last week was, this week’s show delivered yet another adrenaline-soaked, action-packed sixty minutes. Just when I thought I had things figured out, the plot twisted, turned, and finally spun around completely.

EW.com: ’24′ Recap: Wall-to-wall action, eh Dana?

Given last week’s terrific episode, I half-expected the action to slow down tonight – kind of like a re-setting of the proverbial pins so the producers could begin the final march into the (series? season?) finale. Wrong there, sister! Not only were we treated to an overdue heaping of Chloe, but we got the kind of bitchin’ shoot-out I haven’t seen since that Colombian ambush scene in Clear and Present Danger. Plus, more Renee! And Bill Prady! And another CTU infiltrator! Isn’t this the 57th mole in the show’s eight-year history?

24: “Day 8: 4:00 AM-5:00 AM” Review – TV Review at IGN

…and hello, Renee! I don’t know about you, but I was psyched to have Renee back. She was easily one of the best parts of the early portion of the season, so it was disappointing having her off screen for the past few episodes. Having her show up in the nick of time to save Jack, effortlessly taking out a couple of bad guys in the process, was great.

TVGuide.com: 24 Episode Recap: 4:00 A.M.-5:00 A.M.

In another action-packed hour, 24 saves the best for last: CTU Agent Dana Walsh is, in fact, working with the terrorists, and she’s a cold-blooded murderer to boot.

Proving that you can’t please everyone, TV Fanatic calls this the worst hour ever. TV Fanatic 24 Review: 4:00 AM – 5:00 AM, a.k.a. The Worst Hour Ever

the 5 a.m. shocker – that Jenny is actually a mole working for Samir – was enough to make us wish the show’s title were “7” and that its awfulness had ended several weeks ago.

{ 1 comment }

TV.com: Monday’s Episode of 24 Was the Best So Far This Season

There’s no point in holding back. Monday’s episode of 24 was the best one so far this season.

It had a bit of everything: Jack doing Jack things. Romantic betrayal, redemption, then more betrayal—by a ripped terrorist who looks like he’s been hitting the monkey bars pretty hard at the Al Qaeda training camp. The clock ticking on a webcast execution. Compromised nuclear security. Another direct attack on CTU. And maybe even a tiny bit of redemption for the Dana Walsh storyline, thanks to Stephen Root.

CNN.com: Nine minutes in, five guys down on ’24′

Well, in this latest episode, I got a HUGE plate piled high, buffet-style. The more action I wanted, the more the show gave me, serving after serving. By the time the bill came, (read: credits rolled) I was both stuffed and exhausted. The verdict? Satisfied.

I thought this was easily the best episode of the season. As the plot twisted, bobbed and weaved its way through the hour, I was on the edge of my comfy “24 watching” seat the entire time. Even with the obvious deficiency of the “ghost of the dumb subplot past” (aka the Kevin/Dana saga), it was still a strong show.

EW.com: ’24′ recap: You really blew it this time, Kayla

Last night’s episode was the season’s best by far; I didn’t see Tarin’s double-cross of Kayla coming for a mile, nor did I predict the plot point to take out CTU.

{ 2 comments }

Jack Bauer
Wallstreet Journal’s Dorothy Rabinowitz has reviewed the opening four hours of 24 and seems to have come away quite impressed stating that the new season is “meticulously plotted, irresistibly suspenseful” and Chloe O’Brian is “back in top form”. That’s what I like to hear!

If anyone had any doubts of “24″‘s resurrection, complete with its old capacity to induce a rabid appetite for the next episode, the first four hours of its new season on Fox (Sunday, Jan. 17, 9-11 p.m. EST, and Monday, Jan. 18, 8-10 p.m. EST) should dispel them. Last year brought the first proofs of new life for the series, fallen into decline after a run of extravagantly inept plots concocted, it would appear, when its producers flinched at criticism that the series celebrated brutal interrogations and focused extensively on the theme of Muslim terrorists. Fans fled elaborately incomprehensible story lines about Chinese and Russian conspirators, not to mention the one about a smoothie of a U.S. president who was, in reality, a psychotic killer.

Last season’s smartly spiffed up “24″ brought a turning point with its fine-honed scripts and characters. It introduced a contemplative Jack Bauer given to confessions of his spiritual burdens, the dark and secret things he and his colleagues had done in their counterterrorist work. But a Bauer, nonetheless, ready as ever to bear any burden, crush any windpipe necessary to squeeze information from an enemy conspirator. This new season, the eighth, introduces a Jack evidently recovered from his spiritual crises. Its opening episode finds him in New York, lolling contentedly on a sofa with his young granddaughter, pleased to have severed forever, so it seems, any connection with antiterror work. He now enjoys going to the zoo, watching cartoons with the grandchild, and dreaming of his move back to Los Angeles, to live near his daughter. It will come as no surprise that these happy plans for a new family life are, in short order, dispatched. Duty calls.

Imminent disaster threatens in New York, “24′s” new setting—a place of screeching cars, blocks of undistinguished real estate, ratty warehouses. Except for the looming presence of the United Nations building, which figures in the threat, and a glimpse of skyscrapers, there’s not a lot that’s distinctively New York-like in these backgrounds, but no matter. Except for a rare, fabulous car chase, most of the high drama, of which there’s plenty, takes place behind closed doors—in the elegantly appointed offices of the American president, the corridors of the U.N., or a house in a beaten-down area of Queens.

The crisis Jack addresses concerns the plot against a Middle Eastern head of state, in Washington to discuss his country’s nuclear capacities—and inspections thereof. Indeed, the president, Allison Taylor (Cherry Jones), identifies him as the president of the Islamic Republic. Mahmoud Ahmadinejad is the figure clearly meant to pop into viewers’ minds, until it becomes obvious, quite soon, that this tall, handsome, swinging devotee of peace and humanity and even, as the president breathlessly explains, the two-state solution—is someone else. President Taylor is soon awash in devotion to this leader, Omar Hassan (played by Anil Kapoor). The writers of “24″ are partial to the creation of dream-world paragons of idealism, like the noble president of the Islamic Republic ready to forget his country’s nuclear aims—ready, moreover, to give up everything in the interests of humanity and peace, his life included.

It’s left to Jack Bauer—abetted by Chloe (Mary Lynn Rajskub), back in top form—whose mission it will be to thwart the assassins out to destroy this hero. It’s an old story rolled out with all the power of the new—meticulously plotted, irresistibly suspenseful.

Source: WSJ.com

{ 1 comment }

Entertainment Weekly’s Ken Tucker has reviewed the 24 season 8 premiere, scoring it a B.

The New York edition of 24 begins when the president of the fictional country of Kamistan, Omar Hassan (Slumdog Millionaire‘s Anil Kapoor), is interrupted in his peace talks with our president (a cheery Cherry Jones) by an assassination threat. Kiefer Sutherland’s Jack Bauer looks appropriately wary as he’s drawn into this plot; his expertise is called upon by a variety of familiar faces. These include not just Mary Lynn Rajskub’s Chloe but also Battlestar Galactica‘s Katee Sackhoff as a new CTU data analyst, Boomtown‘s Mykelti Williamson as the new CTU chief, and Freddie Prinze Jr. as a brave CTU agent (read: this season’s Rick Schroder, with more modesty).

There’s a familiarity to 24‘s structure that now seems a little tired, as does Jack as he reluctantly enters another mission. His hesitancy is earned; 24, by contrast, must earn our allegiance for another season. I love how they’ve unhinged Annie Wersching’s Renee Walker; ditto the way Chloe is downgraded to a floundering tech helper who’s grateful for a job. I did not love the inevitable hostage-taking and Killing of Superfluous Character No. 687 in the Jan. 17 premiere.

”You’re the guy who always does the right thing,” someone says to Jack in the premiere. You can never tell how the uneven days of 24 will vary in quality, but here’s hoping the show keeps doing all the right things it does in these opening hours.

Source: Entertainment Weekly

{ 0 comments }